New production of Rigoletto at the Teatro Massimo in Palermo, co-produced with the Teatro Regio in Turin, the Opéra de Wallonie Liège, and the Shaanxi Opera House. Libretto by Francesco Maria Piave.

Premiering the French version in PalermoGrand-opéra in five acts

A theatrical film about the staging of Giuseppe Verdi's opera Rigoletto in July 2020. It was the first live show after the Covid-19 lockdown, which is why various anti-virus measures were imposed on the show: the actors performed on a 1500 m² stage, while the action on stage could be watched on a huge screen, thanks to the use of steadycams positioned on the stage.

Captured live from Naples’ splendid San Carlo Theatre – the world’s oldest continuously running public opera venue – where it opened the company’s theatrical season, acclaimed director Dmitri Tcherniakov stages a new production of Dvořák’s beautiful, supremely romantic opera about a water sprite Rusalka who longs to find love.

Maestro Riccardo Muti returns to the podium of the Orchestra and Chorus of the Teatro Regio di Torino for a new production of Macbeth directed by Chiara Muti. Set design by Alessandro Camera and costumes by Ursula Patzak.

Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. The ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make a painful choice between their loyalty to home, and their love for each other. his new production of Rome combines the colossal and the intimate. For Michele Mariotti, conductor and music director of Teatro dell’Opera di Roma, Verdi’s genius lies in his managing to combine spectacular, triumphal elements with a love story that unfolds far from public space in delicate pianissimi and sotto voce singing.

To open the 2023–24 opera season, the Teatro dell'Opera di Roma presents a new production of Mefistofele. This opera, in a prologue, four acts, and an epilogue by Arrigo Boito, is inspired by Goethe’s Faust. The production is directed by Simon Stone, with Michele Mariotti conducting.

An exclusive behind-the-scenes look at Mattia Torre’s plays adapted for television, under the artistic direction and direction of Paolo Sorrentino.

A monologue that chronicles a month in a woman’s life, through the four phases of the menstrual cycle. A woman who leads a routine life, marked by habits that repeat themselves every day, and who, like all of us, struggles to make her way in the world.

Puccini’s operas are among the most beloved and best-known works in the classical repertoire, but Edgar may be unknown even to aficionados, at least as it is presented here. This original four-act version of Edgar, first performed in 1889, was believed lost for over a century when Puccini’s granddaughter Simonetta discovered the score fully intact in 2008. In addition to the third act’s funeral music, which Arturo Toscanini conducted at Puccini’s funeral in 1924, listeners may recognize the duet from the now-restored fourth act, cut by Puccini in subsequent revisions of the work: it bears more than a passing similarity to the third-act duet in Tosca.